Assalamualaikum wbt... welcome to my blog yang tersangat cantik dan indah lagi permai ni... Tinggal la komen/nasihat sebagai panduan untuk moon. okey semua. Enjoy!

Thursday, February 24, 2011

Atok bagi tips lah....

Assalamualaikum....

Mula-mula sekali moi nak cakap banyak-banyak terima kasih kat atok sebab baca entry amoi dan seterusnye memberi jawapan/ tips tok amoi dan mereka-meraka yang senasib dengan moi.... Banyak gak la tips-tips atok bagi....hahahaha tak sangke lak atok singgah jugak kat blog moi yang tak meriah ni... alahai sedihnyerr... kalau nak tengok-tengok blog atok, kelik SINI.

Tips-tips tue moi akan gunakan untuk mempromosi blog moi ni.... yang fesbuk tue moi belum buat lagi tapi sekarang tengah biasakan diri unuk menaip full without singkatan.... tapi kadang-kadang kantoi gak.... hahahha tapi bagus la sebab moi kalau exam pun terpakai bahasa 'sms' moi.... kalau moi tulis mesti lambat sket korang nak paham... semuanye pengaruh dari kawan-kawan... hahhah tapi moi tak taip cam minah yang klon fesbuk sis yuyu tue eh... hahahha yang tue moi pun susah nak bace... huhhuhu pelik-pelik je moi tengok budak-budak sekolah sekarang ni... risau bile nanti dorang tak tahu nak eja perkataan yang sebenarnyer... hah, nanti macam mana nak jawab exam... kalau boleh main ringkas-ringkas tak pe la gak kan... hmmm

pape pun, nanti moi masukkan fesbuk moi kat cni... huhuhu ta pun moi bagi link dulu... tolong like yerr... Amoilicious the blabla story  


terima kasih kerana sudi baca...


xoxo amoi

Wednesday, February 23, 2011

Shah Alam oh Shah Alam

Nak kongsi cerita ni dengan sesape yang singgah kat blog moi... mungkin ramai da bace tapi moi baru je bace tadi... hm, cerita yang seram, sedih dan kelakar... mengisahkan 8sahabat yang terpakse mengharungi malam-malam yang menyeramkan... kalau korang nak tahu lebih dan banyak lagi cerita-cerita seram, boleh la klik di SINI

Rumah seram seksyen 2 shah alam




9 tahun lepas aku dpt smbung bljar kt uitm shah alam. So,perkara pertama yg kna fikir ialah ak nk duk mn sbb ak xdpt hostel. Oleh sbb kerajinan & keperihatinan yg ada kt aku n kwn2,maka dpt le ak ngn kwn2 ak umah sewa.....dekat2 area seksyen 2. Berhampiran ngan wet world [kalo korang tau la].


Uma tu bunglow 2 tingkat ngan 4 bilik. 3 bilik kt atas n 1 bilik kt bwh. Kitorg semua berlapan,kiranya 2 org utk 1 blk la. Aku ringkaskan je la,kitorg msuk uma tu ngan perasaan berbelah bahagi. best, suke, pelik, rimas, takut semua ada.


Pertama,tuan umah hanya amik rm50 je sbg deposit n sewa prtama hanya byr bile msuk bln kedua kami duduk uma tu. Kiranya bln prtama ni free la....[?]
Kedua,tuan umah x bg kitorg bwk brg bnyk2 sbb nnt pnat nk angkat blk katanya...
Ketiga,pokok ara tepi umah tu bsr sgt smpai dahan dia bleh msuk kt tingkap blk atas.


Mlm pertama duk uma tu kitorg xtido sbb sibuk punggah n kemas brg+lyan dvd korea. Citer seramnya start ms hari kedua. xpayah nk tunggu mlm,siang2 pon kitorg da kna kacau. Azmi "dagu" org first kena.


Ms tu br kol 10.30pg [anggaran ak la], si Azmi ni bgun nk memerut. So dia g la toilet bwh tu tp dlm toilet ada org [sbb pintu tutup]. Toilet atas plak rosak, tuan umah kta nnt dia btulkan. Tunggu punye tunggu, xkuar-kuar org dlm tandas ni. Jd Azmi ni memekik la soh cpt sket kuar sbb dia xtahan. Akibat jeritan c azmi ni, abis satu umah bgun gi tengok peehal. Yg peliknya, kitorg berlapan smua ada, abih tu sape yg kt dlm tandas ni? Pintu toilet lak berkunci siap ada bunyi org flush jamban lg.... Dlm reramai ni,Lan sorg je yg berani sket [mgkin psl dia ni keturunan bugis kot], dia g rentap pintu toilet tu smpai trbukak. Xde org tp dr kesan yg ad,pintu tu mmg dikunci dr dlm. Last2 si azmi xjdk berak...mngkin psl takut kot.


Mlm tu kitorg kna lg teruk.


Ms ak nyenyak tdo mlm tu tetiba jek ad org tarik dua2 belah kaki ak sampai jatuh dr katil. Kepala ak terhentak dulu kt lantai!! Ape lg,hangin la aku sbb ingat bdk2 nk wt pedajal kt ak tp bl ak bangun xde org plak. Yg ad cume c Lan yg ngah membuta kt katil atas. Ak x rs Lan yg buat sbb confirm dia tdo mati. Bl ak kuar bilik, ak dgr bdk2 ngah ketawe. Rupenya diorg ngah layan dvd kt hall bwh. Ak pon msuk blk balik sbb still bingung lg tp br ak terperasan ms ak ngah jengah kebawah td ak perasan Lan ada!! Bukan ke td ak nmpk dia ngah membute dlm bilik? Ahh suda...
Dgn perasaan berani2 takut ak tgok atas katil Lan ada bonjol bwh selimut,kiranya mcm ad org la. Ak tarik kain selimut tu n guess what? ad batu nisan yg da retak2 dn otomatiknya blk ak diselubungi bau hapak+hanyir yg sgt2 kuat.


Ms ni korg jgn tnya ak la ape ak buat sbb kalo menda ni jdk kt korg pon xkan korg nk stay lg dlm blk tu btol x? Ak rs kaki ak da x jejak tanah da sbb lari laju sgt. Ak lari kuar dr bilik tu & g ke hall sbb nk gtau member2 ak la kononnya tp yg mcm haram jadahnya member ak sorg pon da xde kt hall. Nk tau diorg kt ner? semua da duduk kt luar umah!! Rupanya diorg awal2 lg da kna kacau. Yg lakhanat nye, xde sorg pon kejutkan ak....taik betol diorg ni.


Lepas diorg tenangkan ak, kitorg decide nk buat ape skang sbb skang ni da pkul 3 pg. Nk mtk tlg tok imam,umah tok imam pon kitorg xtau. Nk mtk tlg jiran, kiri kanan umah kitorg cina. Last2 salleh ajk lepak restoran hakim jek smpai pg. Bunyinya mcm senang tp memasing semua xpakai baju pastu pakai boxer ngan kain pelikat jek. Mau x mau trpaksalah jgk kitorg msuk uma tu balik sbb nk amik suar, wallet n kunci motor.
Oleh sbb bilik c Bob ngan Naim je yg kt bwh, maka kitorg decide le nk pinjam baju n suar dia. Masing2 tkut nk naik tingkat atas. Wallet pn ak tinggal. Masing2 pakat gn duit naim lu. Nasib baik kunci motor kitorg sangkut kt dinding [tmp penyangkut]. Ms nk kuar dr rumah tu, Wak plak perasan ad bdk pompuan kt pintu dapur ngah senyum sambil babai tgn kt dia. Yg ak plak bole trperasan bdk tu jgk sbb ak tgk muka wak da kejung+pucat lesi. Sekali bdk tu senyum rs mcm nk trkincit dlm suar la... Kepala lutut ak menggigil sampai kt restoran hakim!!!!


Lepas smp kt restoran hakim tu,memasing sibuk buka cerita trmasuk ngan ak skali la. Memula Wak cerita la,mlm tu lebih kurang kol 12 lebih,dia sibuk download lagu tetiba ad bunyi mcm org baling batu kt tingkap bilik dia. Bl dia jengah,dia nmpk ad sorang pompuan duk kt atas pokok kayu ara sblh umah tu,pakai bju putih + kekuningan+ koyak2+ rambut panjang. Yg sadisnya,pompuan huduh tu boleh senyum kt dia plak. Wak ni ape lg tutup tingkap bilik dia n terus nk kuar g bilik ak la kononnya. Malangnye, lg sekor plak hantu duk kt dpn pintu bilik dia tp kali ni antu budak. So dia amik keputusan terjun dr tingkap bilik dia ke bawah. Akibatnya, kaki dia terkehel. Nasib baik jek xpatah.


Azmi "dagu" plak cter la yg dia nmpk ad bdk pompuan babai tgn kt dia[yg ni, ak pon kna gak ok]. Ak confirm yg bdk ni bkn manusia sbb ak tgk kaki dia xde!! Sam plak cter dia nmpk hantu tu kt siling umah! Bile buka mate jek, antu tu bebetol "eye to eye" ngan dia. Kiranya memasing semua kena kacau la ni. Dan ak org yg last cerita.


Ak ckp la yg ak kna tarik dua2 kaki ms tido smp kepala ak terhentak kt lantai. Pastu ak ckp le yg ak nmpk diorg ngah layan dvd kt hall tp c Azmi tetiba nyampuk "bile ms plak kitorg tgk dvd ni?". Rerupanya xde sorg pon yg tgk dvd pg tu!! Dah tu, sape yg ak nmpk? haru betol.....kaki aku yg dr td menggigil makin brtambah kuat menggigil.


Ngah sibuk2 berborak,aku terbau sesuatu yg kurang enak. member2 ak yg lain pon bau gak. Rupanya si Azmi ni td da terkencing dlm suar sbb takut sgt. Nasib baik mlm tu xramai sgt org kt Restoran Hakim tu. Malu betol. Ak plak bleh ternampak si Sam pakai selipar sebelah lain. Dr sibuk2 cter seram terus jdk cter klakar plak.


Tengah sibuk2 ketawe, br kitorg perasan yg si Salleh ngan Naim xde ngan kitorg. Yg ad cume kami berenam. Ak, Azmi dagu, Sam banjar,Wak, Bob ngan Lan. Dlm ramai2 tu cuma Bob sorg jek yg bwk hp, so kitorg try call Naim tp xde org angkat. try call Salleh plak, sama gak xde org angkat. Pastu Lan amik hp Bob tu, dia bc apa ntah agaknye pastu dia soh Bob call naim lg skali. Bob call n bukak loud speaker. Korang tau ape jd? ad suare pompuan ngilai. Gila2 punye ngilai la sampai meremang bulu roma aku. Kami berenam terus terdiam. Last2 kitorg sepakat akan tunggu smpai pg esok br blk umah tu semula n cari Naim ngan Salleh. Lepas dgr suare pompuan ngilai kt hp tu, xde sorang pon antara kitorg brckp....smp subuh!!


Pukul 7.30pg br kitorg blah dr Hakim. Hati ak masih lg kuat berdebar-debar.Yg lelain ak xtau la. Smp kt dpn umah, ak tgk pintu umah ngan gate da trbukak seluas-luas nye. Ni kalo pencurik masuk ni, memang dia kaye sbb laptop,wallet ngan hp kitorg semua tinggal camtu aje. Bulu tengkuk aku masih lg meremang.Xde sape berani msk umah tu dulu...Aku ingat, ada la 20-30 minit kitorg duk tercanggak kt dpn umah sbb xde sape berani masuk. Ntah camne agaknye hp Bob berbunyi. Hati aku da x sedap. Jgn la kate antu tu call kitorg soh msuk umah. Lan yg angkat. Sebenarnya dlm reramai geng ak ni, Lan la yg paling berani tp kekadang dia jd penakut jgk la. Pihak hospital call, katanya Naim ad kt wad emergency hospital klang. Eksiden katanya. Pihak hospital kata, ada miss call dr no.hp Bob ni, tu yg dia call no.hp Bob ni...ooo00 br ak phm. Yg peliknya Naim eksiden?


Memasing da serba salah jadinya. Bingung pon iye jgk. Xtau samada nk melawat Naim kt hospital klang or cari Salleh yg hilang. Akhirnya kitorg call tuan rmh utk tgk ape yg patut. Ak ngan Sam plak g hospital klang tgk keadaan naim cmne. Kalo mmg tenat sgt, ak inform yg lelain soh dtg la. Yg lain ak soh cari salleh kt keliling umah, takut2 dia kna sorok. Kami masing2 tawakal aje. Ms otw g hspital klang ni, ak xtau la c sam pecut smpai berape tp hati ak masih lg kuat ckp yg hal ni x abis lg.


Smp hospital,aku terus cr Naim. Sebak betol hati ak tgk Naim serius parah. Kaki dia teruk. Doktor kata kena lenyek ngn keta or something else la. Kes dia ni langgar lari. Naluri ak kuat ckp yg umor Naim ni x panjang sbb darah bnyk gile kuar. Sam plak xsanggup tengok, air mata dia da berjurai-jurai cam air terjun. Doktor pon ckp yg dia ni da nyawa2 ikan,xdpt nk tlg bnyk. Ak duduk kt tepi Naim, dia bole brckp lg tp sangkut2. Dia mntk maap sbb buatkan kitorg jdk susah. Berulang-ulang kali dia mntk maap tp ak msh lg xdpt tangkap ape yg dia ckp ni. Akhirnya dia meninggal gak...Ak gagahkan hati ak tepon kengkawan lain gtau psl Naim da meninggal. Ak tgk Sam da trduduk kt tepi balkoni ngan mata merah sbb nangis bnyk sgt. X lama pastu parrents Naim dtg. Ak x sanggup nk tunggu lg n ajak sam balik shah alam.


Smpai kt umah, ak tgk ramai gler org ngah cari salleh tp xjumpe. Abis satu umah dia geledah. Lastly,ad org tua kt situ mntk tlg ngan sorang ustaz. Ak tak ingt pe name ustaz tu tp lepas asar br kitorg jumpe salleh duduk kt atas busut blkg umah. Yg herannya, da 5,6 kali org cari tp xde plak jumpe dia kt situ. x kisah la janji jumpe balik salleh ni. Kitorg pnye la suke jumpe c salleh ni blk. Memasing amik keputusan pindah dr umah tu haritu jgk. Kebetulan plak kt sek7 [pintu blkang uitm] ad satu umah utk disewa, kitorg pindah situ la. Brg2 naim kitorg angkut skali. Terus terang ak ckp, mmg ak hangin gile tgk muke tuan umah sbb xgtau yg umah ni "keras".ptut la dia soh byr rm50 jek dl pastu xbg bwk brg bnyk2. Chisss......


Aku demam 3 hari.


Jenazah naim selamat dikebumikan kt Raub,Pahang.


Seminggu lepas tu,keadaan da ok sket cume salleh jek yg sakit2 bdn. Akhirnya mulut ak trgerak nk tny salleh pe yg brlaku sbnrnye sbb sblm naim meninggal tu dia ada ckp kt aku soh tnya salleh satu rahsia. Rupenya ms hari 1st day kitorg msuk umah tu, Naim ngn salleh da wt hal. Dia g cangkulnya busut kt blkg umah tu. C naim plak boleh kuis2 ngan kaki dia. Mgkin psl tu la kaki dia eksiden kot [dlm hati aku la]. Pastu salleh cter la,kn ada mlm yg kitorg satu uma kna kacau tu dia ngn naim pon kna gak. Tp antu tu siap kejar diorg lg smp kt jln. Diorg punya la cuak smp lari ke tengah jln. Ntah mn dtgnya keta tetiba da hentam diorg. naim trcmpak kt tgh jln, yg dia plak kt tepi. Dtg keta lain terus lenyek kaki naim. Pastu,salleh kata dia terus xsedar pape smpailah kitorg jmpe dia atas busut tu. Yg peliknya,cmne dia boleh duk kt atas busut sedangkan dia kata dia da lari kt tgh jln bsr? Nape naim sorg yg kna teruk sgt tp salleh x?


Akhirnya ak dpt jawapan sbnr. X lama lpas salleh cter ngn ak, dia jatuh sakit. Xtau la sakit pe tp 3 bln pastu dia meninggal. Famili dia sndiri bingung sbb doktor pon xtau sakit c salleh. Tp ak yakin, kes ni ada kaitan ngn busut yg diorg gi gali tu. Ak ngan geng2 ak yg lain smpat ziarah arwah salleh. Paling xbole tahan Bob sbb dia roomate ngan Naim. Mmg ak tau dia sedih sgt......Yg xbole ak lupe, kitorg semua nangis masa angkat jenazah salleh. Rs sedih sgt ms tu..


Aku, Azmi dagu, Sam banjar,Wak, Bob ngan Lan, semua skali slmt abiskan pgajian kt uitm ni. Buat naim ngn salleh, kitorg tetap akn ingat ko smp bebila...al-fatihah


Ops..Umah bunglow kt seksyen 2 tu smp skang ad lg [agaknye]. Tiap kali ak lalu kt area situ mst ak rs sedih sgt. Lg satu,ms hari last kitorg kt umah tu si Wak da trtinggal hp dia kt bilik atas. So pada sesape yg berani, boleh la amik hp tu tp itupun kalo korang berani la...nokia 3310

Read more: Rumah seram seksyen 2 shah alam http://www.darxniq.com/2011/02/rumah-seram-seksyen-2.html#ixzz1Elkr3MFR

Tuesday, February 22, 2011

Oh M G ! vintage...

ade sesape minat vintage jugak tak?? cam moi yang tengah minat sesangat kat fesyen vintage or melayu nyer vintaj.... haahahaha bak kata future laki moi, OL yang bermaksud orang lama... hehe moi sangat-sangat suke dengan fesyen ni because unik dan classic... cantik dan comel... cam moi kan3... ;p

Fesyen vintage ni tak terhad kepada gadis-gadis freehair jer tapi yang bertudung pun boleh jugak.... lagipun da banyak moi tengok gadis-gadis bertudung neh pakai... memang cantik.... dan yang penting masih menutup aurat.... wah, cam tak caye moi cakap cam tue... moi pun tak buat pape yang moi tulis tue... huhu

okey, berbalik pada tajuk tadi yee... vintage ni satu fesyan yang akan terus wujud tau... sebab pakaian vintage ni bukan jenis ketat-ketat ke... seksi-seksi yang melampau ke.... kebanyakkannye pun adalah dress paras lutut, skirt high waist yang biasanyer labuh sampai bawah lutut, blazer yang buat fesyan tue nampak smart lagi.... seluar high waist... aksesori yang diperlukan biasanyer tali pinggang yang kecil ( tak lebar ), long necklace, kasut loafer, bag yang jenis cam petak/kotak ( tak tahu la name die pe... )

Hmm, kalau ditanya moi susah ke tak nak cari item-item tue... jawapannyer memang susah... nak cari skirt dengan blazer paling susah.... moi beli item-item tue pun secara online kat blog... tapi sekarang da senang sikit sebab kebanyakkan seller tue da jadi kawan moi... so pape hal yang moi nak tanya jer dorang.... blazer pun dah bersepah kat uma neh... favourite blazer adalah color pink.... bak kata some one kat fesbuk, gadis bercoat pink.... suke sangat ayat tue.... cam boleh pergi jauh jerr...huhu

so , bagi sape yang minat vintage jugak, bole la kongsi-kongsi cerita dengan moi.... boleh sharing-sharing information sikit... kan3 ;p hehe pape pun moi excited nak pergi kolej dengan fesyen vintage.... mesti dorang tengok moi atas bawah atas bawah kan... haha biarlah, bukan dorang tahu pun kalau moi cerita... at least moi tahu kalau moi ni memang menarikk... ( huh, perasan ke? tak la.. moi memang menarik pun.. ) hahahaha

Saturday, February 19, 2011

thank you atok...

wahh, its was so easy lha wehh... now aku da join bloglist atok ensem... hahahahaha thanks yer atok... ah, bertuah kan2... so kalau korang berminat, g kat entry aku kat bawah neh... cepat2, atok 2 nak 50 cucu jer... hehehehe

Thursday, February 17, 2011

Marilyn Monroe - My idol

ini komen when people watch her video :



   "She is just unique... she has everything... and icon. A superstar.. an age that will not come back, that is it."

"Marilyn Monroe was pure movie magic, a very rare quality that few actresses from yesterday & today possess. The camera loved her, the american public loved her & even her detractors (friendnemies) couldn't do anything but stand the fuck out of the way & let this beautiful creature sparkle! It didn't hurt that she was very talented."
"I can't believe how beautiful this woman is."

"Marilyn was a REAL woman. She didn't have that awful skinny look models have nowadays. She was curved and sexy with brains. And I am a woman who says so. It's a shame those ugly Kennedy-brothers used her only for their sexgames. She deserved so much better in this world..."

okey, ni komen ttg dea... tak ade 1 pun komen yang tak suke kan dea... yes, she is beautiful and classic... at the first time i saw her face, i think she must had a great story... and then i search about her... found out that she dies in age only 36... wish dpt jumpe dea live... kan best kalau dea maseh hidup... oh! marilyn....


Biography for

Marilyn Monroe


Marilyn Monroe's career as an actress spanned 16 years. She made 29 films, 24 in the first 8 years of her career.Born as Norma Jeane Mortenson on June 1, 1926 in Los Angeles General Hospital, her mother, Gladys, listed the fathers address as unknown. Marilyn would never know the true identity of her father.Due to her mother's mental instability and the fact that she was unmarried at the time, Norma Jeane was placed in the foster home of Albert and Ida Bolender. It was here she lived the first 7 years of her life."They were terribly strict...they didn't mean any harm...it was their religion. They brought me up harshly."In 1933, Norma Jeane lived briefly with her mother. Gladys begin to show signs of mental depression and in 1934 was admitted to a rest home in Santa Monica. Grace McKee, a close friend of her mother took over the care of Norma Jeane. "Grace loved and adored her", recalled one of her co-workers. Grace, telling her..."Don't worry, Norma Jeane. You're going to be a beautiful girl when you get big...an important woman, a movie star." Grace was captivated by Jean Harlow, a superstar of the twenties, and Marilyn would later say..."and so Jean Harlow was my idol." Grace was to marry in 1935 and due to financial difficulties, Norma Jeane was placed in an orphanage from September 1935 to June 1937. Grace frequently visited her, taking her to the movies, buying clothes and teaching her how to apply makeup at her young age. Norma Jeane was to later live with several of Grace's relatives.
"The world around me then was kind of grim. I had to learn to pretend in order to...I don't know...block the grimness. The whole world seemed sort of closed to me...(I felt) on the outside of everything, and all I could do was to dream up any kind of pretend-game."
In September 1941 Norma Jeane was again living with Grace when she met Jim Dougherty, 5 years her senior. Grace encouraged the relationship and on learning that she and her husband would be moving to the East Coast, set in motion plans for Norma Jeane to marry Dougherty on June 19, 1942.
"Grace McKee arranged the marriage for me, I never had a choice. There's not much to say about it. They couldn't support me, and they had to work out something. And so I got married."
Dougherty joined the Merchant Marines in 1943 and in 1944 was sent overseas. Norma Jeane, while working in a factory inspecting parachutes in 1944, was photographed by the Army as a promotion to show women on the assembly line contributing to the war effort. One of the photographers, David Conover, asked to take further pictures of her. By spring of 1945, she was quickly becoming known as a "photographers dream" and had appeared on 33 covers of national magazines.
In the fall of 1946 she was granted a divorce...later saying, "My marriage didn't make me sad, but it didn't make me happy either. My husband and I hardly spoke to each other. This wasn't because we were angry. We had nothing to say. I was dying of boredom."
On July 23, 1946 she signed a contract with Twentieth Century-Fox Studios. She selected her mother's family name of Monroe. From this point on she would be known as Marilyn Monroe to all her fans. She had a minor part in the movie "Scudda-Hoo! Scudda-Hay! and was dismissed as a contract player in August. Rehired in 1948, Marilyn sang here first song in the movie "Ladies of the Chorus".
Johnny Hyde, of the William Morris Agency, became her mentor and lover in 1949. Also, in 1949, Marilyn agreed to pose nude for a calendar. A fact that was to stir controversy later in her career as a superstar.
"Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul"
Her first serious acting job came in 1950 when she had a small but crucial role in "The Asphalt Jungle" and received favorable reviews. "Clash By Night" in 1952 earned her several favorable notices...Alton Cook of the New York World-Telegram and Sun wrote..."a forceful actress, a gifted new star, worthy of all that fantastic press agentry. Her role here is not very big, but she makes it dominant." Monroe's first leading part in a serious feature was to be in "Don't Bother to Knock", also filmed in 1952.
Marilyn met Joe DiMaggio in early 1952, she was 25 and he was 37. DiMaggio, recently retired from baseball, had expressed a desire to meet this famous star. By February the romance was in full bloom.

"I was surprized to be so crazy about Joe. I expected a flashy New York sports type, and instead I met this reserved guy who didn't make a pass at me right away! He treated me like something special. Joe is a very decent man, and he makes other people feel decent, too!"

In 1952 Marilyn began filming "Niagara" with Joseph Cotten...a film that was to establish her stardom. After her next big film, "Gentlemen Prefer Blondes", she and Jane Russell signed their names and placed their hands and feet in the wet cement in front of the Chinese Theatre on Hollywood Boulevard...the same place she had visited with Gladys and Grace years earlier as a child.

"I want to be a big star more than anything. It's something precious"

Fox suspended Marilyn in 1954 for failure to appear on the set of "Pink Tights". The studio had refused to let her look at the script prior to accepting the part. She felt that due to her star status, she should have the right to script approval.
On January 14 Joe and Marilyn were married. The wedding captured the headlines worldwide. Joe was an extremely jealous type of guy and resented her popularity among other men. He desired a housewife, not a star of such magnitude...the marriage was in trouble from the beginning.

"I didn't want to give up my career, and that's what Joe wanted me to do most of all."

She was asked to go on a USO tour of Korea in February to entertain the troops, beginning on the 16th for four days. She entertained over 60,000 soldiers, many who had never seen a Monroe film...having been in the service during her rise to stardom... most had seen still photos of her in many magazines and newspapers. She was a huge success. Joe did not accompany her on this trip...explaining, "Joe hates crowds and glamour."

"...standing in the snowfall facing these yelling soldiers, I felt for the first time in my life no fear of anything, I felt only happy."

On May 29, Marilyn began filming "There's No Business Like Show Business". Throughout the summer she was ill with bronchitis and anemia. For the first time, Marilyn began showing serious side-effects of the many sleeping pills she had been taking for the last few years...often groggy, lethargic and crying on the set.
The famous "skirt blowing" scene from the "Seven Year Itch" , filmed in 1954 was to be a hit with both amateur and professional photographers. Several hundred, along with 2000 spectators gathered outside the Trans-Lux Theater in New York City in the early morning hours of September 15th to see and record her as she posed for over two hours for her adoring fans.
In the fall of 1954 Marilyn and Joe separated...later to divorce. On October 6, Jerry Giesler made a press announcement and stated "...as her attorney, I am speaking for her and can only say that the conflict of careers has brought about this regrettable necessity." With the press hounding her, Marilyn answered in a choked voice, "I can't say anything today. I'm sorry. I'm sorry."

"When I married him (Joe), I wasn't sure of why I married him, I have too many fantasies to be a housewife."

In early 1955 Marilyn again returned to New York and joined the Actors Studio, in pursuit of becoming a serious actress. There she met Lee Strasberg, head of the Studio and drama coach. Mr. Strasberg and his family would play an important role in her life.



She was to renew her acquaintance with Arthur Miller and have an affair with him before their marriage over a year later. To Marilyn, Miller represented the serious theater and an intellect that she found attractive. To Miller, years later...
"It was wonderful to be around her, she was simply overwhelming. She had so much promise. It seemed to me that she could really be a great kind of phenomenon, a terrific artist. She was endlessly fascinating, full of original observations...there wasn't a conventional bone in her body."
Marilyn returned to Hollywood in February 1956, after over a years absence, to film "Bus Stop". After completing the film she returned to New York in June. Miller also returned to New York after obtaining a divorce in Reno, Nevada. They where married June 29 in White Plains, NY.
The Millers departed for London soon after their marriage so that Marilyn could start production on "The Prince and the Showgirl" with Lawrence Olivier. As early as July, Arthur began to have doubts about the marriage. Sidney Skolsky remarked that..."Miller looked on Marilyn strictly as an ideal and was shocked to discover that she is a human being, a person, even as you and I and maybe Miller."
"Bus Stop" opened in London in October 1956. A Times review said..."Miss Monroe is a talented comedienne, and her sense of timing never forsake her. She gives a complete portrait, sensitively and sometimes even brilliantly conceived. There is about her a waif-life quality, an underlying note of pathos which can be strangely moving."
 
"It's not that I object to doing musicals and comedies...in fact, I rather enjoy them...but I'd like to do dramatic parts too."

Marilyn Monroe did not return to Hollywood until 1958 to make "Some Like It Hot" with Jack Lemmon and Tony Curtis. Her health continued to deteriorate due to increased dependency on drugs and involvement in an unhappy marriage. She often came to the set late and was unable to remember her lines. Director, Billy Wilder later said..."Anyone can remember lines, but it takes a real artist to come on the set and not know her lines and yet give the performance she did." Her next film "Let's Make Love" proved to be an unremarkable film with much publicity over her brief affair with co-star Yves Montand.
"I am invariably late for appointments...sometimes, as much as two hours. I've tried to change my ways but the things that make me late are too strong, and too pleasing."
Early in 1960, Marilyn was consulting with Dr. Ralph Greenson, a prominent psychoanalyst to Hollywood stars. As common during this period, he relied heavily on drug therapy...routinely prescribing barbiturates and tranquilizers in addition to his psychotherapy.
July 1960 marked the start of filming "The Misfits"...a short story by Arthur Miller adapted for film. While on location the Millers lived in separate quarters and were barely speaking. Meanwhile, pills for Marilyn were regularly flown in from her Los Angeles doctors, including Dr. Greenson. Allan Snyder recalled..."It took so long to get her going in the morning that usually I had to make her up while she lay in her bed." But once again, she managed to give an exceptional performance.
"Everybody is always tugging at you. They'd all like a sort of chunk out of you. I don't think they realize it, but it's like "grrrr do this, grrrr do that..." But you do want to stay intact...intact and on two feet."
On November 5th, the day after "The Misfits" was completed, co-star Clark Gable suffered a serious heart attack and died on November 16, 1960. Marilyn felt a great deal of guilt, commenting..."I kept him waiting...kept him waiting for hours and hours on that picture."
Evelyn Moriarty remembered..."Marilyn was being blamed for everything. All of her problems were exaggerated to cover up for Director Huston's gambling and the terrible waste of money on that production. It was easy for her to be made the scapegoat."
Marilyn divorced Arthur Miller in January of 1961, the same month that "The Misfits" was released. Another unhappy marriage was terminated.
"Mr. Miller is a wonderful man and a great writer, but it didn't work out that we should be husband and wife."
In 1961 Marilyn purchased a house in the Brentwood section of Los Angeles. At the urging of her psychoanalyst, Dr Greenson, she hired Eunice Murray as housekeeper. Murray, calling herself a nurse, had neither the training or credentials. It is suspected that she was a "spy" for Dr. Greenson who continued to have more and more control over Marilyn's life, seeing her almost daily when she was in Los Angeles.
A reported affair with John F. Kennedy began in late 1961. At the President's gala birthday celebration in Madison Square Garden on May 19, 1962, Marilyn sang her now famous "Happy Birthday" tribute to JFK. The Attorney General, Bobby Kennedy was also reported to have had an affair with Marilyn shortly before her death.
Marilyn began production on "Somethings Got to Give" in April 1962. Much has been said about her inability to show up on the set and her trip to New York for the Presidents birthday celebration...but her illnesses had been well documented by physicians and she had obtained permission from the Studio well in advance of the trip to New York.
"I feel stronger if the people around me on the set love me, care for me, and hold good thoughts for me. It creates an aura of love, and I believe I can give a better performance."
The Studio was deeply in debt over their production of "Cleopatra" starring Elizabeth Taylor and Richard Burton. The filming was way behind schedule and costing millions over budget. It is theorized, if Fox scrapped the Marilyn Monroe film with far fewer expensive sets and actors, they possibly could be reimburse by the insurance company for losses due to a star's illness, and recoup monies spent. Fox fired Marilyn and filed suit against Marilyn Monroe Productions on June 7, but the suit was later dropped.
Marilyn had been seeing Joe DiMaggio frequently during this time and had finally agreed to remarry him. The wedding date was set for August 8, 1962. Fox rehired her on August 1 to complete "Somethings Got to Give" with a salary of $250,000, which was two and a half times the original amount. Of course these events would never come to pass due to her untimely death on August 5, 1962.
Much has been speculated about the events surrounding her death and others involvement in it. But whatever the cause...it is highly unlikely that it was suicide. Possibly the result of a tragic accidental drug overdose...and possibly administered by someone other than Marilyn herself.
A saddened Joe DiMaggio made arrangements for the funeral, inviting no one from the Hollywood scene or press...but only close friends and relatives. As he said..."they had only hurt Marilyn." For over 20 years flowers were delivered weekly to her crypt from Joe...just as he had promised Marilyn when she told him of William Powell's pledge to the dying Jean Harlow.
"I knew I belonged to the public and to the world, not because I was talented or even beautiful, but because I had never belonged to anything or anyone else."

and this is the list of her films :


Scudda-Hoo! Scudda-Hay!, Fox, April 1948, with June Haver, Lon McCallister, Walter Brennan, Ann Revere, Natalie Wood




Dangerous Years, Fox, December 1947 (filmed after Scudda-Hoo! Scudda-Hay! but released first), with William Halop, Ann Todd, Darryl Hickman, Jerome Cowan




Ladies of the Chorus, Columbia, October 1948, with Adele Jergens, Rand Brooks, Nana Bryant




Love Happy, United Artists, April 1950, with Marx brothers, Ilona Massey, Eric Blore, Vera-Ellen, Raymond Burr




A Ticket to Tomahawk, Fox, May 1950, with Dan Dailey, Anne Baxter, Rory Calhoun, Walter Brennan, Marion Marshall




The Asphalt Jungle, MGM, May 1950, with Sterling Hayden, Louis Calhern, Jean Hagen, Sam Jaffe, James Whitmore




All About Eve, Fox, October 1950, with Bette Davis, Anne Baxter, George Sanders, Celeste Holm, Gary Merill, Hugh Marlowe, Thelma Ritter, Gregory Ratoff




The Fireball, Fox, November 1950, with Mickey Rooney, Pat O'Brien, Beverly Tyler




Right Cross, MGM, November 1950, with Dick Powell, June Allyson, Ricardo Montalban, Lionel Barrymore




Home Town Story, MGM, May 1951, with Donald Crisp, Jeffrey Lynn, Marjorie Reynolds, Alan Hale, Jr




As Young As You Feel, Fox, August 1951, with Monty Woolley, Jean Peters, Thelma Ritter, Constance Bennett, Albert Dekker




Love Nest, Fox, October 1951, with June Haver, William Lundigan, Leatrice Joy, Jack Parr, Frank Fay




Let's Make It Legal, Fox, November 1951, with Claudette Colbert, Macdonald Carey, Robert Wagner, Zachary Scott, Barbara Bates
 
 

Clash by Night, RKO, June 1952, with Barbara Stanwyck, Robert Ryan, Paul Douglas, Keith Andes




We're Not Married, Fox, July 1952, with Ginger Rogers, Fred Allen, Louis Calhern, Zsa Zsa Gabor




Don't Bother to Knock, Fox, July 1952, with Richard Widmark, Anne Bancroft, Donna Corcoran, Jim Backus, Lurene Tuttle




Monkey Business, Fox, September 1952, with Cary Grant, Ginger Rogers, Charles Coburn, Hugh Marlowe




O. Henry's Full House, Fox, October 1952, with Charles Laughton, David Wayne




Niagara, Fox, January 1953, with Joseph Cotten, Jean Peters, Casey Adams, Richard Allan, Denis O'Dea, Don Wilson, Lurene Tuttle
 
 

Gentlemen Prefer Blondes, Fox, July 1953, Jane Russell, Tommy Noonan, Charles Coburn, Elliot Reid, George Winslow, Norma Varden
 
 
 

How To Marry a Millionaire, Fox, November 1953, with Betty Grable, Lauren Bacall, William Powell, David Wayne, Rory Calhoun, Alex D'Arcy, Cameron Mitchell, Fred Clark




River of No Return, Fox, April 1954, with Robert Mitchum, Tommy Rettig, Rory Calhoun




There's No Business Like Show Business, Fox, December 1954, with Ethel Merman, Dan Dailey, Donald O'Connor, Mitzi Gaynor, Johnny Ray
 
 
 

The Seven Year Itch
, Fox, June 1955, with Tom Ewell, Evelyn Keyes, Victor Moore, Robert Strauss




Bus Stop, Fox, August 1956, with Don Murray, Arthur O'Connell, Eileen Heckart, Betty Field, Hope Lange



The Prince and the Showgirl, Warner Bros., June 1957, with Laurence Olivier, Sybil Thorndike, Jeremy Spenser, Richard Wattis, Esmond Knight, Maxine Audley




Some Like It Hot, United Artist, March 1959, with Jack Lemmon, Tony Curtis, George Raft, Pat O'Brien, Joe E. Brown, Joan Shawlee




Let's Make Love, Fox, September 1960, with Yves Montand, Wilfrid Hyde White, Tony Randell, Frankie Vaughan, Madge Kennedy




The Misfits, United Artists/Seven Arts, Febuary 1961, with Clark Gable, Montgomery Clift, Eli Wallach, Thelma Ritter, Kevin McCarthy, Estelle Winwood, Ralph Roberts




Something's Got to Give (Incompleted), with Dean Martin, Cyd Charisse, Phil Silver, Wally Cox. Production was shut down on June 12, 1962. Marilyn Monroe died on August 4, 1962. The film was rewritten and recasted with Doris Day and James Garner as "Move Over Darling" 
Her Quotes


"I want to grow old without face-lifts...I want to have the courage to be loyal to the face I have made. Sometimes I think it would be easier to avoid old age, to die young, but then you'd never complete your life, would you? You'd never wholly know yourself."
"With fame, you know, you can read about yourself, somebody else's ideas about you, but what's important is how you feel about yourself -for survival and living day to day with what comes up."
"I am not interested in money. I just want to be wonderful."
"Fame is fickle and I know it. It has its compensations, but it also has its drawbacks and I've experienced them both."
"No-one ever told me I was pretty when I was a little girl. All little girls should be told they are pretty, even if they aren't."
"My illusions didn't have anything to do with being a fine actress. I knew how third rate I was. I could actually feel my lack of talent, as if it were cheap clothes I was wearing inside. But, my God, how I wanted to learn, to change, to improve!"
"Only the public can make a star. It's the studios who try to make a system out of it."
"If I play a stupid girl and ask a stupid question I've got to follow it through. What am I supposed to do -look intelligent?"
"Some people have been unkind. If I say I want to grow as an actress, they look at my figure. If I say I want to develop, to learn my craft, they laugh. Somehow they don't expect me to be serious about my work."
"I don't understand why people aren't a little more generous with each other."
Press comment on posing nude for calendar in 1949... "My sin has been no more than I have written posing for the nude picture because I need fifty dollars desperately to get my car out of hock."
"There was my name up in lights. I said 'God, somebody's made a mistake. But there is was, in lights. And I sat there and said, 'Remember, your're not a star'. Yet there it was up in lights."
"An actor is supposed to be a sensitive instrument. Isaac Stern takes good care of his violin. What if everybody jumped on his violin?"
"That's the trouble, a sex symbol becomes a thing. But if I'm going to be a symbol of something, I'd rather have it sex than some other things we've got symbols of."
"The only people I care about are the people in Times Square, across the street from the theatre, who can't get close as I come in. If I had light make-up on, they'd never see me. This make-up is for them..."
"Men who think that a woman's past love affairs lessen her love for them are usually stupid and weak. A woman can bring a new love to each man she loves, providing there are not too many."
"It stirs up envy, fame does. People...feel fame gives them some kind of privilege to walk up to you and say anything to you -and it won't hurt your feelings -like it's happening to your clothing."



Her Poetry



I could have loved you once
and even said it
But you went away,
When you came back it was too late
And love was a forgotten word.
Remember?



O, Time
Be Kind
Help this weary being
To forget what is sad to remember
Loose my loneliness,
Ease my mind,
While you eat my flesh.


I

I left my home of green rough wood,

A blue velvet couch.
I dream till now
A shiny dark bush
Just left of the door.
Down the walk
Clickity clack
As my doll in her carriage
Went over the cracks-
"We'll go far away."

II


Don't cry my doll

Don't cry
I hold you and rock you to sleep
Hush hush
I'm pretending now
I'm not your mother who died.

III

Help help
Help I feel life coming closer
When all I want to do is die.


From time to time
I make it rhyme
but don't hold that kind
of thing
against
me-
Oh well, what the hell,
so it won't sell.
What I want to tell-
is what's on my mind:
'taint Dishes,
'taint Wishes,
it's thoughts
flinging by
before I die-
and to think
in ink.



Good nite
Sleep
and sweet repose
Where ever you lay your head-
I hope you find your nose-



so macam mane... interesting kan hidup dea... cantek, berbakat, cume sygnyer alam perkahwinan dea tak buat dea bahagia sampai addict dengan dadah... poor marilyn... huhuhu


 

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